Dames! A Sparkling Tale of Broadway Dreams and Gangster Schemes

“Dames” (1934) – a delightful whirlwind of music, dancing, and audacious storytelling – transports us to the glittering world of 1930s Broadway. This Warner Bros. musical comedy, directed by the masterful Busby Berkeley with a screenplay penned by the prolific team of Robert Riskin and Louella Parsons, weaves together a captivating narrative about ambition, romance, and the relentless pursuit of fame.

The film centers around the audacious Ruby Dale (played with vivacity by Joan Blondell), a small-town chorus girl who dreams of making it big on Broadway. She arrives in the bustling metropolis armed with talent, determination, and a suitcase full of dreams. Her journey takes her to the heart of the theatrical world – the famed “Palace” theater – where she encounters an array of colorful characters: the gruff but ultimately supportive producer (played by Hugh Herbert), the charming but somewhat unscrupulous songwriter (played by the debonair Dick Powell), and a host of ambitious dancers all vying for their moment in the spotlight.

Themes and Characters: A Symphony of Ambition and Romance

At its core, “Dames” is a celebration of the human spirit’s insatiable thirst for recognition. Ruby Dale embodies this desire with infectious enthusiasm, her journey mirroring the struggles and triumphs experienced by countless aspiring artists seeking to break into the entertainment industry. The film cleverly juxtaposes the glamorous façade of Broadway against the harsh realities faced by performers who toil behind the scenes.

The musical numbers are integral to the story, not merely interludes but expressions of the characters’ inner worlds. Busby Berkeley, renowned for his innovative and extravagant choreography, elevates these sequences into breathtaking spectacles. From synchronized swimming routines in gigantic pools to geometric formations on grand staircases, Berkeley’s work is a testament to his cinematic mastery and ability to translate music into mesmerizing visual art.

The romantic subplot between Ruby Dale and the songwriting character adds an element of heart to the film. Their initial animosity gives way to mutual respect and eventually blossoms into love. This development underscores a key theme: that even amidst cutthroat competition, genuine connection can emerge.

A Glimpse into 1930s Hollywood

“Dames” offers a fascinating window into the world of 1930s Hollywood musicals. The film was produced during the Golden Age of Cinema, when lavish sets, stunning costumes, and elaborate musical sequences were hallmarks of studio productions. “Dames” perfectly embodies this era’s aesthetic sensibilities, showcasing opulent interiors, dazzling stage costumes, and a vibrant palette that reflects the energy and excitement of Broadway.

The acting styles are characteristic of the period – stylized and often theatrical. Joan Blondell delivers a captivating performance as Ruby Dale, imbuing her character with both charm and grit. Dick Powell exudes a natural charisma as the songwriter, while Hugh Herbert brings comedic relief with his portrayal of the eccentric producer.

Production Details and Critical Reception

“Dames” was generally well-received upon its release, praised for its energetic musical numbers, captivating performances, and Berkeley’s dazzling choreography.

While the film’s narrative may seem somewhat predictable today, its charm lies in its infectious energy, endearing characters, and timeless celebration of ambition and artistic pursuit. For anyone seeking a delightful escape into the glittering world of 1930s Broadway, “Dames” offers a truly unforgettable experience.